TRANSLATIONS

 

CONTENTS

 

Pre-content

 

 

Part One 

Translations from Sanskrit

 

Section ONE

The Ramayana : Pieces from the Ramayana

1. Speech of Dussaruth

2. An Aryan City

3. A Mother's Lament

4. The Wife

An Aryan City: Prose Version

The Book of the Wild Forest

The Defeat of Dhoomraksha

 

Section Two

The Mahabharata   Sabha Parva or Book of the Assembly-Hall :

Canto I: The Building of the Hall

Canto II: The Debated Sacrifice

Canto III: The Slaying of Jerasundh

Virata Parva: Fragments from Adhyaya 17

Udyoga Parva: Two Renderings of the First Adhaya

Udyoga Parva: Passages from Adhyayas 75 and 72

 

The Bhagavad Gita: The First Six Chapters

 

Appendix I: Opening of Chapter VII

Appendix II: A Later Translation of the Opening of the Gita

Vidula

 

  Section Three

Kalidasa

Vikramorvasie or The Hero and the Nymph

 

 

In the Gardens of Vidisha or Malavica and the King:

 

 

The Birth of the War-God

Stanzaic Rendering of the Opening of Canto I

Blank Verse Rendering of Canto I

Expanded Version of Canto I and Part of Canto II

 

Notes and Fragments

Skeleton Notes on the Kumarasambhavam: Canto V

The Line of Raghou: Two Renderings of the Opening

The Cloud Messenger: Fragments from a Lost Translation

 

Section Four

Bhartrihari

The Century of Life

Appendix: Prefatory Note on Bhartrihari

 

Section Five

Other Translations from Sanskrit

Opening of the Kiratarjuniya

Bhagawat: Skandha I, Adhyaya I

Bhavani (Shankaracharya)

 

 

Part Two

Translations from Bengali

 

Section One

Vaishnava Devotional Poetry

Radha's Complaint in Absence (Chundidas)

Radha's Appeal (Chundidas)

Karma: Radha's Complaint (Chundidas)

Appeal (Bidyapati)

Twenty-two Poems of Bidyapati

Selected Poems of Bidyapati

Selected Poems of Nidhou

Selected Poems of Horo Thacoor

Selected Poems of Ganodas

 

 

Section Two

Bankim Chandra Chatterjee

Hymn to the Mother: Bande Mataram

Anandamath: The First Thirteen Chapters

 

Appendix: A Later Version of Chapters I and II

 

 

Section Three

Chittaranjan Das

Songs of the Sea

 

 

Section Four

Disciples and Others

Hymn to India (Dwijendralal Roy)

Mother India (Dwijendralal Roy)

The Pilot (Atulprasad Sen)

Mahalakshmi (Anilbaran Roy)

The New Creator (Aruna)

Lakshmi (Dilip Kumar Roy)

Aspiration: The New Dawn (Dilip Kumar Roy)

Farewell Flute (Dilip Kumar Roy)

Uma (Dilip Kumar Roy)

Faithful (Dilip Kumar Roy)

Since thou hast called me (Sahana)

A Beauty infinite (Jyotirmayi)

At the day-end (Nirodbaran)

The King of kings (Nishikanto)

 

 

Part Three

Translations from Tamil

 

Andal

Andal: The Vaishnava Poetess

To the Cuckoo

I Dreamed a Dream

Ye Others

 

 

Nammalwar

Nammalwar: The Supreme Vaishnava Saint and Poet

Nammalwar's Hymn of the Golden Age

Love-Mad

 

 

Kulasekhara Alwar

Refuge

 

 

Tiruvalluvar

Opening of the Kural

 

 

Part Four

Translations from Greek

 

Two Epigrams

Opening of the Iliad

Opening of the Odyssey

Hexameters from Homer

 

 

Part Five

Translations from Latin

 

Hexameters from Virgil and Horace

Catullus to Lesbia

 

NOTE ON THE TEXTS

To the Cuckoo

 

O Cuckoo that peckest at the blossomed flower of honey dripping champaka and, inebriate, pipest forth the melodious notes, be seated in thy ease and with thy babblings, which are yet no babblings, call out for the coming of my Lord of the Venkata hill. For He, the pure one, bearing in his left hand the white summoning conch shows me not his form. But He has invaded my heart; and while I pine and sigh for his love, He looks on indifferent as if it were all a play.

 

I feel as if my bones had melted away and my long javelin eyes have not closed their lids for these many days. I am tossed on the waves of the sea of pain without finding the boat that is named the Lord of the highest realm. Even thou must know, O Cuckoo, the pain we feel when we are parted from those whom we love. He whose pennon bears the emblem of the golden eagle, call out for his coming, O bird.

 

I am a slave of Him whose stride has measured the worlds. And now because He is harsh to me, how strange that this south wind and these moonbeams should tear my flesh, enfeebling me. But thou, O Cuckoo, that ever livest in this garden of mine, it is not meet that thou shouldst pain me also. Indeed I shall drive thee out if He who reposes on the waters of life come not to me by thy songs today.

 

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