TRANSLATIONS

 

CONTENTS

 

Pre-content

 

 

Part One 

Translations from Sanskrit

 

Section ONE

The Ramayana : Pieces from the Ramayana

1. Speech of Dussaruth

2. An Aryan City

3. A Mother's Lament

4. The Wife

An Aryan City: Prose Version

The Book of the Wild Forest

The Defeat of Dhoomraksha

 

Section Two

The Mahabharata   Sabha Parva or Book of the Assembly-Hall :

Canto I: The Building of the Hall

Canto II: The Debated Sacrifice

Canto III: The Slaying of Jerasundh

Virata Parva: Fragments from Adhyaya 17

Udyoga Parva: Two Renderings of the First Adhaya

Udyoga Parva: Passages from Adhyayas 75 and 72

 

The Bhagavad Gita: The First Six Chapters

 

Appendix I: Opening of Chapter VII

Appendix II: A Later Translation of the Opening of the Gita

Vidula

 

  Section Three

Kalidasa

Vikramorvasie or The Hero and the Nymph

 

 

In the Gardens of Vidisha or Malavica and the King:

 

 

The Birth of the War-God

Stanzaic Rendering of the Opening of Canto I

Blank Verse Rendering of Canto I

Expanded Version of Canto I and Part of Canto II

 

Notes and Fragments

Skeleton Notes on the Kumarasambhavam: Canto V

The Line of Raghou: Two Renderings of the Opening

The Cloud Messenger: Fragments from a Lost Translation

 

Section Four

Bhartrihari

The Century of Life

Appendix: Prefatory Note on Bhartrihari

 

Section Five

Other Translations from Sanskrit

Opening of the Kiratarjuniya

Bhagawat: Skandha I, Adhyaya I

Bhavani (Shankaracharya)

 

 

Part Two

Translations from Bengali

 

Section One

Vaishnava Devotional Poetry

Radha's Complaint in Absence (Chundidas)

Radha's Appeal (Chundidas)

Karma: Radha's Complaint (Chundidas)

Appeal (Bidyapati)

Twenty-two Poems of Bidyapati

Selected Poems of Bidyapati

Selected Poems of Nidhou

Selected Poems of Horo Thacoor

Selected Poems of Ganodas

 

 

Section Two

Bankim Chandra Chatterjee

Hymn to the Mother: Bande Mataram

Anandamath: The First Thirteen Chapters

 

Appendix: A Later Version of Chapters I and II

 

 

Section Three

Chittaranjan Das

Songs of the Sea

 

 

Section Four

Disciples and Others

Hymn to India (Dwijendralal Roy)

Mother India (Dwijendralal Roy)

The Pilot (Atulprasad Sen)

Mahalakshmi (Anilbaran Roy)

The New Creator (Aruna)

Lakshmi (Dilip Kumar Roy)

Aspiration: The New Dawn (Dilip Kumar Roy)

Farewell Flute (Dilip Kumar Roy)

Uma (Dilip Kumar Roy)

Faithful (Dilip Kumar Roy)

Since thou hast called me (Sahana)

A Beauty infinite (Jyotirmayi)

At the day-end (Nirodbaran)

The King of kings (Nishikanto)

 

 

Part Three

Translations from Tamil

 

Andal

Andal: The Vaishnava Poetess

To the Cuckoo

I Dreamed a Dream

Ye Others

 

 

Nammalwar

Nammalwar: The Supreme Vaishnava Saint and Poet

Nammalwar's Hymn of the Golden Age

Love-Mad

 

 

Kulasekhara Alwar

Refuge

 

 

Tiruvalluvar

Opening of the Kural

 

 

Part Four

Translations from Greek

 

Two Epigrams

Opening of the Iliad

Opening of the Odyssey

Hexameters from Homer

 

 

Part Five

Translations from Latin

 

Hexameters from Virgil and Horace

Catullus to Lesbia

 

NOTE ON THE TEXTS

An Aryan City

 

PROSE VERSION

 

Coshala named, a mighty country there was, swollen and glad; seated on the banks of the Sarayu it abounded in wealth & grain; and there was the city Ayodhya famed throughout the triple world, built by Manu himself, lord of men. Twelve leagues was the beautiful mighty city in its length, three in its breadth; large & clear-cut were its streets, and a vast clear-cut highroad adorned it that ever was sprinkled with water and strewn freely with flowers. Dasaratha increasing a mighty nation peopled that city, like a king of the gods in his heavens; a town of arched gateways he made it, and wide were the spaces between its shops; full was it of all machines and implements and inhabited by all kinds of craftsmen and frequented by herald and bard, a city beautiful of unsurpassed splendours; lofty were its bannered mansions, crowded was it with hundreds of hundred-slaying engines of war, and in all quarters of the city there were theatres for women and there were gardens and mango-groves and the ramparts formed a girdle round its spacious might; hard was it for the foe to enter, hard to assail, for difficult and deep was the city's moat; filled it was of horses & elephants, cows and camels and asses, crowded with its tributary kings arrived for sacrifice to the gods, rich with merchants from many lands and glorious with palaces built of precious stone high-piled like hills & on  the house-tops pleasure-rooms; like Indra's Amaravati Ayodhya seemed.

 

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