TRANSLATIONS

CONTENTS

Pre-content

Part One

Translations from Sanskrit

Section ONE

The Ramayana : Pieces from the Ramayana

1. Speech of Dussaruth

2. An Aryan City

3. A Mother's Lament

An Aryan City: Prose Version

The Book of the Wild Forest

The Defeat of Dhoomraksha

Section Two

The Mahabharata Sabha Parva or Book of the Assembly-Hall :

Canto I: The Building of the Hall

Canto II: The Debated Sacrifice

Canto III: The Slaying of Jerasundh

Virata Parva: Fragments from Adhyaya 17

Udyoga Parva: Two Renderings of the First Adhaya

Udyoga Parva: Passages from Adhyayas 75 and 72

The Bhagavad Gita: The First Six Chapters

Appendix I: Opening of Chapter VII

Appendix II: A Later Translation of the Opening of the Gita

Section Three

Kalidasa

Vikramorvasie or The Hero and the Nymph

In the Gardens of Vidisha or Malavica and the King:

Act I

Act II

Appendix : A Fragment

The Birth of the War-God

Stanzaic Rendering of the Opening of Canto I

Blank Verse Rendering of Canto I

Expanded Version of Canto I and Part of Canto II

Notes and Fragments

Skeleton Notes on the Kumarasambhavam: Canto V

The Line of Raghou: Two Renderings of the Opening

The Cloud Messenger: Fragments from a Lost Translation

Section Four

Bhartrihari

The Century of Life

Appendix: Prefatory Note on Bhartrihari

Section Five

Other Translations from Sanskrit

Opening of the Kiratarjuniya

Bhagawat: Skandha I, Adhyaya I

Bhavani (Shankaracharya)

Part Two

Translations from Bengali

Section One

Vaishnava Devotional Poetry

Radha's Complaint in Absence (Chundidas)

Radha's Appeal (Chundidas)

Karma: Radha's Complaint (Chundidas)

Appeal (Bidyapati)

Twenty-two Poems of Bidyapati

Selected Poems of Bidyapati

Selected Poems of Nidhou

Selected Poems of Horo Thacoor

Selected Poems of Ganodas

Section Two

Bankim Chandra Chatterjee

Hymn to the Mother: Bande Mataram

Anandamath: The First Thirteen Chapters

I	II	III	IV	V	VI	VII
VIII	IX	X	XI	XII	XIII

Appendix: A Later Version of Chapters I and II

Section Three

Chittaranjan Das

Songs of the Sea

Section Four

Disciples and Others

Hymn to India (Dwijendralal Roy)

Mother India (Dwijendralal Roy)

The Pilot (Atulprasad Sen)

Mahalakshmi (Anilbaran Roy)

The New Creator (Aruna)

Lakshmi (Dilip Kumar Roy)

Aspiration: The New Dawn (Dilip Kumar Roy)

Farewell Flute (Dilip Kumar Roy)

Uma (Dilip Kumar Roy)

Faithful (Dilip Kumar Roy)

Since thou hast called me (Sahana)

A Beauty infinite (Jyotirmayi)

At the day-end (Nirodbaran)

The King of kings (Nishikanto)

	Part Three Translations from Tamil
	Andal Andal: The Vaishnava Poetess To the Cuckoo I Dreamed a Dream Ye Others
	Nammalwar Nammalwar: The Supreme Vaishnava Saint and Poet Nammalwar's Hymn of the Golden Age Love-Mad
	Kulasekhara Alwar Refuge
	Tiruvalluvar Opening of the Kural

Part Four

Translations from Greek

Opening of the Iliad

Opening of the Odyssey

Hexameters from Homer

Part Five

Translations from Latin

Hexameters from Virgil and Horace

Catullus to Lesbia

NOTE ON THE TEXTS

Since thou hast called me

Since thou hast called me, see that I

Go not from thee, — surrounding me stand.

In thy own love's diviner way

Make me too love thee without end.

My fathomless blackness hast thou cleft

With thy infinity of light,

Then waken in my mortal voice

Thy music of illumined sight.

Make me thy eternal journey's mate,

Tying my life around thy feet.

Let thy own hand my boat unmoor,

Sailing the world thy self to meet.

Fill full of thee my day and night,

Let all my being mingle with thine

And every tremor of my soul

Echo thy Flute of flutes divine.

Come in thy chariot, Charioteer,

And drive me whither thou wouldst go.

All within me and all my acts

Make luminous with surrender's glow.

SAHANA

Page – 568