MOTHER'S AGENDA

Vol. 6

Contents

 

 

January 6, 1965
January 9, 1965
January 12, 1965
January 16, 1965
January 24, 1965
January 31, 1965
February 4, 1965
February 19, 1965
February 24, 1965
February 27, 1965


March 3, 1965
March 6, 1965
March 10, 1965
March 20, 1965
March 24, 1965

March 27, 1965


April 7, 1965
April 10, 1965
April 17, 1965
April 21, 1965
April 23, 1965
April 28, 1965
April 30, 1965


May 5, 1965
May 8, 1965
May 11, 1965
May 15, 1965
May 19, 1965
May 29, 1965

 

June 2, 1965

 

June 5, 1965
June 9, 1965

June 12, 1965
June 14, 1965

June 18, 1965
June 23, 1965
June 26, 1965
June 30, 1965

 

July 3, 1965
July 7, 1965
July 10, 1965
July 14, 1965
July 17, 1965
July 21, 1965
July 24, 1965
July 28, 1965
July 31, 1965


August 4, 1965
August 7, 1965
August 14, 1965
August 15, 1965
August 18, 1965
August 21, 1965
August 25, 1965
August 28, 1965
August 31, 1965

 

September 4, 1965
September 8, 1965
September 11, 1965
September 15, 1965
September 15, 1965

 

September 16, 1965

September 18, 1965
September 22, 1965
September 25, 1965

September 29, 1965

 

October 10, 1965
October 13, 1965
October 16, 1965
October 20, 1965
October 27, 1965
October 30, 1965


November 3, 1965
November 6, 1965
November 10, 1965
November 13, 1965
November 15, 1965
November 20, 1965
November 23, 1965
November 27, 1965
November 30, 1965


December 1, 1965
December 4, 1965
December 7, 1965
December 10, 1965
December 15, 1965
December 18, 1965
December 22, 1965
December 25, 1965
December 28, 1965
December 30, 1965
December 31, 1965


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ISBN 2-902776-33-0

October 30, 1965

(Mother improvises on her organ for Satprem's birthday. The organ, long unused, gives a few creaks.)

There.

I hear at the same time. I don't hear what I play: I hear something else. So when suddenly something creaks, it no longer works! It's probably because it hasn't been played for a long time. I haven't played for nine months - the last time was ...

In December.

Ten months. After ten months, I play much better, because when I play often I remember what I have played before, so that's no longer it. It's not at all a question of practicing: it's a question of the hands not being afraid. That's all. As soon as the hands

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 become conscious, it no longer works.

And then, what I hear has a purity that's not there. It's very interesting. And curiously, when I told you I would play, I thought I wouldn't be able to, and the next day there came, oh, a cascade of music, for a long, long time.... I said to myself, "Very well, since it comes, I will see."

***

Soon afterwards

Something amusing has happened. You know that there is a new comet?...[[The comet "Ikeda-Seki." ]] This morning around four, I saw the comet, and suddenly I found myself in a state above the earth, and I saw a being who seemed to be associated with this comet. He had red hair (but not an aggressive red), a white body, but not pure white: a golden white, as if he were naked, but he didn't give an impression of being naked, or of wearing any clothes either (I have noticed this several times already), sexless - neither man nor woman. And it was a young being, charming, full of a sort of joy, like the joy that came a little in the music just now, and he was spreading in the earth atmosphere a sort of substance that was heavier than Matter - not heavier, but denser - and jelly-like. It was as though he had taken advantage of the comet passing near the earth to spread that substance. And at the same time, I was told it was "to help for the transformation of the earth." And he showed me how to make that substance circulate in the atmosphere.

It was charming: a young being, full of joy, as if dancing, and spreading that substance everywhere.

It lasted a long time. For several hours I remained in it.

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November